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History

Over 60 years of excellence in classical dance training

History 

On 2 March 1964, The Australian Ballet School opened its doors to the first students and in 2014 celebrated 50 years of excellence in classical dance training and education.

It all started in the declining days of the Borovansky Ballet. A group of enthusiastic and talented dancers, choreographers, designers and musicians gathered at the home of Margaret Scott to talk about the need for a national dance company supported by a strong and independent school.

In 1962, Margaret Scott was commissioned by The Elizabethan Theatre Trust to prepare a report on the possible founding of a national school to complement the newly established Australian Ballet.

The School came into being through the advocacy of Dame Margaret Scott. Part of Dame Peggy van Praagh’s Artistic Policy for the future of dance in Australia was to establish a school for professional dance students that would develop a national style and provide The Australian Ballet with trained dancers. It would also provide select students with ‘specialised professional training in ballet and the allied theatre arts’.

In March 1964 the School opened its doors to the first students, just 15 months after the formation of The Australian Ballet.

The Australian Ballet School’s aim is to produce artistic, educated and outstanding dancers of international standard. Under its first four inspiring Directors – Dame Margaret Scott AC DBE, Marilyn Rowe AM OBE, Gailene Stock AM CBE and Lisa Pavane – it has remained the national centre for elite vocational classical dance training.

Under its recently appointed Artistic Director, Megan Connelly, the School continues to train dancers of the highest calibre for The Australian Ballet and professional companies in Australia and around the world.

1962

Margaret Scott prepared a report on the possible founding of a national school to complement the newly established Australian Ballet.

1964

The Australian Ballet School opened its doors to the very first students, just 15 months after the formation of The Australian Ballet.

2024

The Australian Ballet School celebrated 60 years of excellence in classical dance training and education.

Graeme Hudson

Ballet found Graeme Hudson late in life, after he’d already had a career as a television dancer. Natural talent got him through his audition for The Australian Ballet School, which honed his skills and propelled him on an adventurous career through the 60s and 70s.

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Lynette Wills

A determined nature drove Lynette Wills through initial setbacks to the top ranks of The Australian Ballet. Despite vowing that she would never teach dance, she has found great satisfaction in her time as a classical teacher with The Australian Ballet School and then as its head of Head of Teaching and Learning.

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Simon Dow

A dancer, a photographer, an actor, a teacher, a choreographer, a psychic, an artistic director, a gallery owner: Simon Dow’s remarkable life is a testament to the rewards of staying eternally curious. His travels through his many artistic identities began at The Australian Ballet School, where he found a sense of belonging, and taught for 10 years in addition to creating numerous works as Resident Choreographer.

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